Why? - Eskimo Snow

I grew up in a small suburb of Cincinnati. It was nicknamed 'The Bubble' because of how small it was. And how tight knit. And I hated it. So I went to Philadelphia for school. Yet at some point, I gained a huge amount of pride for my home town - The Nati. Reds, Bengals, Jerry Springer being our Mayor, Race Riots, Drive-Thru Beer, Birthplace of the Jewish Reform Movement, Skyline Chili, Graeters Ice Cream, and, maybe the most important of them all, Marx Hot Bagels.

So when I found out about R5 Productions my first semester in college and saw a description of a guy who started making music with a 4-track tape in a basement while being the son of a Rabbi in Cincinnati, I knew I had to go. And after an unbelievable live show of raw vocalized and drum beats with catchy melodies and awesome lyrics, I was hooked.

Last week, Why? released a new album, Eskimo Snow. And while it's not close to the greatness of Alopecia (2008) that wowed the shit out of me live (Or even Elephant Eyelash (2005), which had a lot of character and unrefined greatness), Eskimo Snow is still good. It just seems to be missing a lot of the Why?-ness that was so new and refreshing in earlier albums. It seems incredibly toned down and more vocal focused. That being said, "Blackest Purse" is beautiful. And "January Twenty Something" is a great song. But, overall, the album lacks a lot of what made me fall in love with Why?. The strong beats of songs like "The Fall of Mr. Fifths", "The Vowells Pt. 2", or "Song of the Sad Assassin" (all from Alopecia) made the album one I've listened to 50 times. Eskimo Snow's lacking that. And the middle of the album gets almost monotonous.

On Anticon Records, Why? is absolutely fantastic. If you ever get the chance to see them live, do it. They put on a great live show and sell some pretty cool T-shirts. Check out their myspace or follow them on twitter. I'm a little bummed about Eskimo Snow in comparison to past albums, but that in no way hampers how much I appreciate and love their creativity and their ability to present something new.

I hope everyone had a easy fast on Monday. Welcome to the new year!

10 Bands To Check Out If You Haven't

So you're looking for some new music. Here's a list of 10 bands from the near-present you should check out that I haven't reviewed (yet?):

1. Why? - defines Trip-Hop. Heavy beats, awesome lyrics. From Cincinnati/Berkeley/NYC.
2. Bon Iver - Lots of internet hype. Layered mellow indie-folk. Gorgeous. From a cabin in the woods.
3. Dr. Dog - Think 60's rock. Awesome vocals. Great bridges. From Philly.
4. Grizzly Bear - Delicious harmonies. Catchy dissonance. From Brooklyn.
5. TV on the Radio - Multi-influential band with a great new feel. Fun to dance to. From Brooklyn.
6. Lake Street Dive - A little known jazz/folk band from Boston. Awesome. "I'd rather have a bottle in front of me than a frontal lobotomy."
7. Pomegranates - Catchy riffs, rough around the edges, falsetto vocals. From Cincinnati.
8. Black Moth Super Rainbow - Featuring Father Hummingbird and The Seven Fields of Aphelion. Cool guitar work. They use a Rhodes. From Pittsburgh
9. Passion Pit - A little over-hyped post-MGMT high vocals upbeat and fun. From Cambridge.
10. Rupa and the April Fishes - A multi-linguistic mellow and enjoyable feel-good music. From San Francisco.


Enjoy!

Bike For Three! - More Heart Than Brains

Life comes, life goes. In between, there's the search for love. Bike For Three!, a collaboration between the experimental rapper Buck 65 and Belgian electronic producer Joëlle Phuong Minh Lê, tells the tale of soul searching in a really new way. The duo collaborated from overseas and never met, effectively creating an odd, incredibly intriguing album about love. The music itself doesn't carry the album - but I don't think that's really the focus. The focus is the vast feeling of solidarity in every individual search for a soul mate - something carried out beautifully.

More Heart Than Brains certainly feels like the story of a life-long battle. Especially with the album being sandwiched between the tracks "Beginning" and "Ending". Featuring a birth, a growth, peak, decline, and death, Buck 65 and Minh Lê have birthed an album simple in its essence and gorgeous in its simplicity.

Buck 65's unique, cutting voice talks over expansive, magnifying electronic riffs. Lacking many sorts of comforting melodies or hooks, that craving gets replaced with an attachment to the story. The key songs mark important points in the search for love. Like the track, "Can't Feel The Love (Anymore)". Dwelling on how the loneliness forces you to miss out raising kids, Buck 65 says, "What happened to me that I'm so afraid to drown? Afraid of the dark. Afraid of letting people down. To take care of myself. My parents taught me how. But they probably never imagined me alone like I am now." Or the track "One More Time Forever", a kind of goodbye, that reads, "Keeping our guards up, wearing our masks. Making art the war being waged and taking part. Seeing the stars fall and the sound of a breaking heart like..."

Also be sure to listen to "Nightdriving", "Always I will Miss You. Always You." and "First Embrace". If you're searching for something to compare this to, think of a subversive type of MIA meets Figurine (of The Postal Service fame) with a less melodic Why? on top. But the sound, driven by how unique both Minh Lê and Buck 65 are, is something different that you need to listen to to grasp. A sort of avant garde hip-hop. No surprise it was released on Anticon. Focusing on experimental rap, Anticon also claims Buck 65 solo and Why?.

The album tells a great story that I think captures the loneliness of life beautifully. However, some of the tracks really aren't good. And some tracks, like "MC Space", seem out of place. But, then again, love's not always grand. Or rational.

Check their myspace out here.