Philly, Best Of

After spending a few years in Philly while studying at Temple University, I've come up with my own random list of Best Ofs for Philadelphia in the form of 'Top 3's". Most likely, your favorite one that I missed was number 4. Sorry in advance.

Concert Venues
1. Trocadero - Awesome architecture. In China Town. Egg drop soup after!
2. TLA (Theatre of Living Arts) - Right on South Street. Feels small, but is a big venue.
3. The First Unitarian Church - Remember when your band played in a church basement? This is it. And I've seen some unbelievable shows while being 5 feet from them. And they sell used vinyl...

Restaurant in Chinatown
1. Pho Cali - Best Pho ever. Cheap, delicious, excellent service, great bubble tea smoothies!
2. Banana Leaf - delicious Malaysian cuisine!
3. Wong Wongs - Really not much better than the rest of the stuff. But Wong Wong's is a fantastic name.

Brunch Places
1. Sabrina's - The Italian Market location is bangin'. So good. Makes for an awesome date.
2. Fitzwater Cafe - Not an extensive menu, but the food is amazing and fresh.
3. Temple Rainbow - On Temple's campus. Best Sunday morning breakfast 5 minutes from my house. With a sign on the window for 'Waffle', you know it's good.

Places to People Watch
1. Rittenhouse Square - Especially when the weather's nice. Great people walk around, perform, look like their dogs, etc...
2. The Broad Street Line Subway - From Jesus preachers to people passed out, definitely interesting characters...
3. Liacorus walk - The main walk on Temple's campus is packed with benches up and down both sides. Makes for great anonymous staring.

Temple University Food Trucks
1. The Crepe Truck - $5.25 for an amazing crepe (breakfast, lunch, or dinner) and a drink. Open late.
2. Eddie's - Best hoagies. Great bread, friendly people, cheap cheap cheap.
3. The Green Truck - Great salads. Fresh ingredients, great menu. Long wait at times though...

Philly Foods
1. Soft Pretzels - Philly's soft pretzels are amazing. Great breakfast with a cup of coffee.
2. Rita's Water Ice - Good stuff. Not quite Graeter's ice cream in Cincinnati, but it's surprisingly incredibly refreshing.
3. Tasty Cake Butterscotch Krimpets - Mmmmmm

Cheesesteak Places
1. Jim's - On South Street. Chopped.
2. Geno's - The way the whiz seeps in. Oh man.
3. Tony Luke's - Just has some awesome bread. Great pork sandwich too...

Monsters of Folk @ The Academy of Music 11/9

It was fittingly titled, "An Evening with Monsters of Folk". Sitting on the balcony in antique red-velvet covered chairs looking down on My Morning Jacket's Jim James, M. Ward, and Bright Eyes' Conor Oberst and Mike Mogis, I couldn't help but be blown away by a spectacular performance. Not only was the concert unique and a ridiculous show of musicianship, but the crowd itself was unlike any I've ever been a part of.

Being in Philadelphia's Academy of Music, when I first sat down, I had to check myself that it was okay for me to be wearing a ratty corduroy jacket and sandals. The chandelier and cupids on the ceiling seemed to dictate otherwise. But amass the slew of skinny jeans and berets, I was reminded that this wasn't the symphony. Yet as the show began, the crowd treated it like it was - a modern symphony of new music and new arrangements of familiar favorites.

But even cooler than the aura of formality between cheers and jeers was the reality of incredibly mixed fan bases. With My Morning Jacket being a sort of psychedelic folk, M. Ward being a rocky folk, and Bright Eyes an indie/emo folk, Monsters of Folk brought in three huge and intense fan bases. And since each artist played some of their own songs (solo and as collaborations), virtually no one knew every song that was played - making for an awesome feeling of solidarity in not knowing what was coming next.

As for the show itself, Monsters of Folk played for two hours with an ever-growing energy that transitioned expertly from simplicity to piercing peaks. "Slow Down Jo" and "Dear God" were amazing (except for Oberst's part on "Dear God". I'm a little bias, but that guys voice seems to detract from how great Jim James and M. Ward sound together.). And on top of Jim James's haunting falsetto oo's, an ever-present slide guitar, and an infusion of percussive guitar, the group's live sound was original, refined, and consuming.

To feel the three folk-influenced acts separately and together in the same show was absolutely amazing. I felt myself going 'wow' after almost every song. And accompanied by a light show that projected stunning shadows on the curtains, it was all I could do but sit and stare. In fact, the one girl who stood up to sway to one of her beloved Conor Oberst's solo songs was told to "Sit down. Sit the Fuck down!" The only acceptable standing was for the unanimous and instant standing ovations.

The Antlers w/ Holly Miranda @ UPenn Rotunda 10/2

Peak. Peak. Peak. Peak. End. The sense of longing. You can feel it in your chest. Right where the crashing cymbals and haunting vocals used to be. And it spreads. Down to your gut. Up to your shoulders. And extends to the tips of your body. The Antlers have invaded your soul.

Last night, I finished up my classes, grabbed my girlfriend, and hurried to see the band I've been obsessed with since the beginning of the summer. The Antlers delivered a passionate, intimate show unlike any I've seen recently. The show started with "Bear" - destroying all qualms I had about a 'lost in translation' transition from album to live show. And after an excellent opening act by Holly Miranda (think My Brightest Diamond meets Heartless Bastards vocals on top of Au Revoir Simone type ambient guitar riffs), I knew my date was going to be a great one.

As the show progressed, I could feel the mesmerized crowd experience every note, every crash, every moog-induced wave. "Kettering", "Two", and "Epilogue" (the set-ender) were absolutely unbelievable. The Antlers captured every awesome aspect of their album and added a brilliant projection of reality. I was in awe.

The Antlers have gained so much hype lately, I feel like I've watched them explode. But following their tours and twitpics was nothing compared to experiencing their live show. Go. See them live. And buy their album, Hospice. For an album review, check out my previous post. On Frenchkiss Records (along with some great up and coming bands: Passion Pit, The Dodos, The Hold Steady), The Antlers truly made for a fantastic night.


Check out their myspace, or follow them on twitter to listen for yourself.

Why? - Eskimo Snow

I grew up in a small suburb of Cincinnati. It was nicknamed 'The Bubble' because of how small it was. And how tight knit. And I hated it. So I went to Philadelphia for school. Yet at some point, I gained a huge amount of pride for my home town - The Nati. Reds, Bengals, Jerry Springer being our Mayor, Race Riots, Drive-Thru Beer, Birthplace of the Jewish Reform Movement, Skyline Chili, Graeters Ice Cream, and, maybe the most important of them all, Marx Hot Bagels.

So when I found out about R5 Productions my first semester in college and saw a description of a guy who started making music with a 4-track tape in a basement while being the son of a Rabbi in Cincinnati, I knew I had to go. And after an unbelievable live show of raw vocalized and drum beats with catchy melodies and awesome lyrics, I was hooked.

Last week, Why? released a new album, Eskimo Snow. And while it's not close to the greatness of Alopecia (2008) that wowed the shit out of me live (Or even Elephant Eyelash (2005), which had a lot of character and unrefined greatness), Eskimo Snow is still good. It just seems to be missing a lot of the Why?-ness that was so new and refreshing in earlier albums. It seems incredibly toned down and more vocal focused. That being said, "Blackest Purse" is beautiful. And "January Twenty Something" is a great song. But, overall, the album lacks a lot of what made me fall in love with Why?. The strong beats of songs like "The Fall of Mr. Fifths", "The Vowells Pt. 2", or "Song of the Sad Assassin" (all from Alopecia) made the album one I've listened to 50 times. Eskimo Snow's lacking that. And the middle of the album gets almost monotonous.

On Anticon Records, Why? is absolutely fantastic. If you ever get the chance to see them live, do it. They put on a great live show and sell some pretty cool T-shirts. Check out their myspace or follow them on twitter. I'm a little bummed about Eskimo Snow in comparison to past albums, but that in no way hampers how much I appreciate and love their creativity and their ability to present something new.

I hope everyone had a easy fast on Monday. Welcome to the new year!

10 Bands To Check Out If You Haven't

So you're looking for some new music. Here's a list of 10 bands from the near-present you should check out that I haven't reviewed (yet?):

1. Why? - defines Trip-Hop. Heavy beats, awesome lyrics. From Cincinnati/Berkeley/NYC.
2. Bon Iver - Lots of internet hype. Layered mellow indie-folk. Gorgeous. From a cabin in the woods.
3. Dr. Dog - Think 60's rock. Awesome vocals. Great bridges. From Philly.
4. Grizzly Bear - Delicious harmonies. Catchy dissonance. From Brooklyn.
5. TV on the Radio - Multi-influential band with a great new feel. Fun to dance to. From Brooklyn.
6. Lake Street Dive - A little known jazz/folk band from Boston. Awesome. "I'd rather have a bottle in front of me than a frontal lobotomy."
7. Pomegranates - Catchy riffs, rough around the edges, falsetto vocals. From Cincinnati.
8. Black Moth Super Rainbow - Featuring Father Hummingbird and The Seven Fields of Aphelion. Cool guitar work. They use a Rhodes. From Pittsburgh
9. Passion Pit - A little over-hyped post-MGMT high vocals upbeat and fun. From Cambridge.
10. Rupa and the April Fishes - A multi-linguistic mellow and enjoyable feel-good music. From San Francisco.


Enjoy!

Bike For Three! - More Heart Than Brains

Life comes, life goes. In between, there's the search for love. Bike For Three!, a collaboration between the experimental rapper Buck 65 and Belgian electronic producer Joëlle Phuong Minh Lê, tells the tale of soul searching in a really new way. The duo collaborated from overseas and never met, effectively creating an odd, incredibly intriguing album about love. The music itself doesn't carry the album - but I don't think that's really the focus. The focus is the vast feeling of solidarity in every individual search for a soul mate - something carried out beautifully.

More Heart Than Brains certainly feels like the story of a life-long battle. Especially with the album being sandwiched between the tracks "Beginning" and "Ending". Featuring a birth, a growth, peak, decline, and death, Buck 65 and Minh Lê have birthed an album simple in its essence and gorgeous in its simplicity.

Buck 65's unique, cutting voice talks over expansive, magnifying electronic riffs. Lacking many sorts of comforting melodies or hooks, that craving gets replaced with an attachment to the story. The key songs mark important points in the search for love. Like the track, "Can't Feel The Love (Anymore)". Dwelling on how the loneliness forces you to miss out raising kids, Buck 65 says, "What happened to me that I'm so afraid to drown? Afraid of the dark. Afraid of letting people down. To take care of myself. My parents taught me how. But they probably never imagined me alone like I am now." Or the track "One More Time Forever", a kind of goodbye, that reads, "Keeping our guards up, wearing our masks. Making art the war being waged and taking part. Seeing the stars fall and the sound of a breaking heart like..."

Also be sure to listen to "Nightdriving", "Always I will Miss You. Always You." and "First Embrace". If you're searching for something to compare this to, think of a subversive type of MIA meets Figurine (of The Postal Service fame) with a less melodic Why? on top. But the sound, driven by how unique both Minh Lê and Buck 65 are, is something different that you need to listen to to grasp. A sort of avant garde hip-hop. No surprise it was released on Anticon. Focusing on experimental rap, Anticon also claims Buck 65 solo and Why?.

The album tells a great story that I think captures the loneliness of life beautifully. However, some of the tracks really aren't good. And some tracks, like "MC Space", seem out of place. But, then again, love's not always grand. Or rational.

Check their myspace out here.

Heartless Bastards - The Mountain

Want to turn your room into a dive bar? Grab some beers, light up a cigarette, and blast Heartless Bastard's new (esque) album, The Mountain. The Ohio-based band gives off a stellar bar band feel that captures that feel-good time and dive bar grit. The album's simplicity and shockingly consuming vocals really makes for a great listen. Especially the title track, "The Mountain". Talk about being blown away - it really feels like your approaching the daunting peak of a huge mountain. Strait Lord of the Rings forreal.

On Fat Possum Records (former The Black Keys record label), Heartless Bastards have created a really good album that's upbeat, captivating, and refreshingly unrefined. Be sure to check out the tracks, "The Mountain," "Hold Your Head High", and "Sway".

Edward Sharpe & The Magnetic Zeroes - Up From Below

The sound won't stay the same! Up and down, attentive and almost bored, unbelievable hit or very miss, Los Angeles-based Edward Sharpe & the Magnetic Zeros new album, Up From Below, throws out so many different sounds. Like a mix between Feist, The National, The Arcade Fire, David Bowie, and epic parts of The Lion King, Edward Sharpe throws a lot out there. And when he hits, he crushes it. "40 Day Dream", "Janglin", and "Carries On" are really good. But the song that makes this whole CD worth it is "Home". Fantastic vocals, catchy whistling, and lyrics about love, ("Alabama, Arkansas / I do love my ma and pa / Not that way that I do love you,") the song is just so incredibly catchy and amazing. Its sound is thorough and expansive, and just makes you feel good. I can't say I recommend the album as a whole, though the sounds are definitely interesting. And the album has a lot of high points throughout (though mostly in the beginning).

But yeah, check out Edward Sharpe & The Magnetic Zeros and look at the lettering on his van on the myspace page! L'Chaim!

The Dodos @ The Getty Museum, 8/8

After a trip to the Cactus Garden and seeing an unbelievable collection of photography, sculptures, and paintings, I was lucky enough to end the other day with seeing The Dodos for free in the atrium of the Getty Museum. The Dodo's signature sound (think catchy acoustic guitar riffs on top of powerful, driving drum patterns with a melodic, sweet adhesive of vibraphone and back-up percussion) featured a thorough mix of vocal loops, a sort of 'bow-on-vibraphone' induced feedback, and impressive musicianship. Almost like a subtle mix of The Shins, Modest Mouse, and Department of Eagles, The Dodos still have an incredibly unique and lovely sound. And while their live show started off relatively slow and a little nervous-looking, The Dodos picked up the energy and presence as the concert went on - accompanying the setting darkness and gorgeous lighting. One of my favorite live songs, "Two Medicines", from their album coming out this fall, Time To Die, really captured their sound and creativity. The song started with a great vocal loop and built into an expressive, feel-good, dancy, well-constructed song. The Dodos also played "Fools" (featuring a mosh pit?), "Jodi" (a true Dodocian journey), and "Red and Purple" (as their encore) off of their 2008 success Visiter.

In general, I usually have low expectations for free shows. But with the amount of Dodo that I've had in my life the past few months, I had high hopes for the band. And, while my favorite Dodos song, "Undeclared", wasn't played, I left satisfied and excited to see them again when they trek to Philly in mid-October.

Check out The Dodos here.

And be sure to check out The Getty Museum's gorgeous collection of artwork, landscaping, and architecture if you're ever in LA.

Au Revoir Simone - Still Night, Still Light

Try to imagine an almost Romeo and Juliet drugged-out scene in a late-80's high school dance. Put on some ambient, electro-pop with a soothing, fleeting mix of female vocals. Throw in a little The Bird & The Bee, and you've got Au Revoir Simone's newest album, Still Night, Still Light.

As a fan of female indie vocals, I really enjoy the relaxing sound. The power beats mixed with haunting melodies make for great music to go on a mental hiatus to. Albeit repetitive, and lacking a sort of peak-age that would make it truly great, Au Revoir Simone's album is weirdly addictive. Beautifully simplistic and gorgeous in many ways, Still Night, Still Light is a great album to check out. Listen to the track, "Knights of Wand". Do it. No joke.

Here's a link to their official website and myspace. Or follow 'em on Twitter.

Random tidbit: Apparently Au Revoir Simone just did some touring with The Antlers (I reviewed Hospice a few weeks ago. Crazy good. And, you can now pre-order Hospice on vinyl at InSound here).

Modest Mouse - No One's First and You're Next EP

It's got a giant burn hole on the shoulder. A giant green buffalo on the front. And "Modest Mouse" is written above it. It's one of my favorite shirts of all time (Mind you, I have way too many graphic T's). Advertising Modest Mouse has been one of my past times for years. Thinking about how many times I've listened to Moon and Antarctica and Lonesome Crowded West is unbelievable.

But Modest Mouse has continued to make music after Moon and Antarctica. Good News for People Who Love Bad News (2004) was great, and We Were Dead Before the Ship Even Sank (2007) got me for a few months. Today, Modest Mouse released their new EP, No One's First and You're Next. Featuring B-sides from the past two albums, the new EP has a very familiar and great 'Modest Mouse'-y feel to it. It's good. It's just nothing new - same sounds, vocals, and great song titles . And it marks even more of a departure from the older Modest Mouse that I loved. It's still worth getting (Check out "Guilty Cocker Spaniels", "The Whale Song", and "King Rat"). And if you've never listened to Modest Mouse, get on that! It just sounds exactly like how you'd expect unreleased and B-side tracks from the past two albums to sound.

Also, I did come across an awesome music video for the great song, "King Rat", directed by Heath Ledger before he died. Kinda cool, eh? Check it out here.

Samantha Crain & The Midnight Shivers - Songs In The Night

A few months ago, I found myself at a concert at The Church in Philadelphia. I went to see a fantastic group called Thao with the Get Down Stay Down (Check out the track "Swimming Pools"). Anywho, I wound up loving one of their openers - Samantha Crain and the Midnight Shivers.

First off, Samantha Crain's presence was amazing. Emotional, energetic, and dynamic, her mix of depressing tunes and upbeat charm had me purchasing her new album, Songs in the Night, immediately after the show. And I'm so happy I did.

Songs in the Night, another one of my top albums of 2009, is really, really good. My favorite track, "Devils in Boston", highlights her ability to captivate listeners. Her consitent sad tone is expressed through mastered dynamics, catchy guitar riffs, and swooning vowells. And her voice. Her voice! Not even close to what you'd deem an 'amazing voice', but it works so so well.

On Ramseur Records (along with The Avett Brothers), Samantha Crain is an awesome artist to check out at her official website or myspace.

Bedouin Soundclash, The Lions, Rootbeer @ The Roxy, 7/29

I just walked into my house to silence. The dogs barked. I thought back to the show I'd just come from at The Roxy that featured two opening bands that showed up the feature like no other. I haven't been that much more impressed by openers since I saw P.O.S. and RX Bandits murder Gym Class Heroes a few years back.

The show started with two guys and a drummer rapping over some tracks littered with technical difficulties. But the energy they brought was absolutely amazing - from putting your fingers up, to putting your fists up, to your guns, to your deuces, the crowd was involved and lovin' it. Rootbeer sounded somewhat like a mix between The Beastie Boys and the Minneapolis native, Mac Lethal. For real, they definitely deserved riding in their pink limousine with white rims...

The second opener, The Lions, followed up with an 11-piece band that screamed, "We're baked. And we play reggae. And we love doing what we do." They were fun, soulful, and put an awesome touch to basic reggae beats and harmonies. Featuring three lead singers, an MC, a bassist, two guitarists, a keyboardist, drummer, a bongo player, and a set of brass, The Lions were an awesome band to watch. The guitarist was full of energy, and the overall performance was awesome.

Bedouin Soundclash, the headliner, came on with fantastic drum beats and a truly great bassist. But the lead singer had a horrible aura of pretentiousness that reminded me of a mix between Bono and the guy from Saves The Day. With a saxophonist and trumpet player, Bedouin had a great brass feel and a cool, refreshing sound. But at times the music felt almost like pop-punk vocals done over power-elevator music. Watching the lead singer was boring. And the three or four awesome songs weren't enough to keep the set going.

Overall, the show was a great night. I was so excited after The Lions that I even texted a friend about how great the two openers were. I came with low expectations, and left with a reminder, "You're not always going to recognize the names of good bands - no matter how much you try." These guys were good. And tonight was great.

Danger Mouse and Sparklehorse Present: Dark Night of the Soul

Think mellow. Add in some Tom Waits at times. Some Flaming Lips. A little Beatles. And a very little Black Keys-y soul-blues-rock, and you've got something close to Danger Mouse and Sparklehorse's Dark Night of The Soul. Danger Mouse (The Grey Album, The Black Keys' Attack & Release, Gorillaz' Demon Days, Beck's Modern Guilt) collaborated with Sparklehorse (Mark Linkous) to create a rather good album with an awesome flow that leaves you in a very interesting place. The simplicity and fantastic use of vocals creates a flow that pulls you up. Not quite forward - just up. It creates a weird sense of being at a strange yet comfortable height. And as the album finishes and drops you back off where you started, you can't help but feel a sense of deja vu.

Featuring Jason Lytle (of Grandaddy), Wayne Coyne (of The Flaming Lips), James Mercer (of The Shins), and multiple additional awesome artists, Danger Mouse and Sparklehorse take you on a ride. Not a journey, but a cool ride that's definitely worth having.

Also, due to legal issues you can listen to the entire album on NPR's website here.

Synecdoche, New York

Recently, I made myself a giant bowl of popcorn. To accompany my popcorn, Synecdoche, New York was put on. Written and directed by Charlie Kaufman (Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind), I was soon taken on an unexpected mental journey. The film created an amazing sense of life. The fullness of a single life in a universe of time.

The film drew me in and had me following Caden Cotard (Philip Seymour Hoffman) on his blurred journey between reality and dream-state on his effort to create something vast, pure, and authentic. As my housemate proceeded to pass out halfway through the incredibly long movie, I couldn't leave. I couldn't let go of his character and his suffering. And his obsessions with life truths.

I didn't necessarily enjoy the movie, I just love how it made me think. It was truly a mental journey. And its pieces came together in a way that made me forget I ever had popcorn in my lap.

California Fast Food

Spending the summer in Los Angeles, I've noticed a wide array of new signs, arches, and bumper stickers. Besides the fact that I laugh to myself constantly at the plethora of advertisements for "The Best Fish Tacos", 50-foot signs for fast food places I've never heard of have sparked my curiosity. Del Taco, Carl's Jr., In-N-Out, Fatburger, Randy's Donuts - All new places for me to try. Drunk.

Here are my reviews of the above West Coast (or LA) based fast food restauraunts in the form of made up awards:

Best Fries:

Carl's Jr. Flat, crispy, tasty. Mmm. Apparently Carl's Jr. is also Hardee's elsewhere, which I had growing up (bangin' biscuits), but I treated this as a new fast food place. It's everywhere.

Best Taco:

Del Taco. Pulling into the drive-thru in a daze, I ordered a Big Fat Chicken Taco. Which was topped with Del Scorcho sauce. And it was amazing. On almost a pita/flat bread, the thing was gone in a blur, much like the rest of the night.

Best Burger:

Alrighty. This was tricky. Choosing between Fatburger and In-N-Out is a difficult choice. Especially knowing that the one that loses ends up not receiving a prestigeous JK award. But, after much internal debate (and taking into account which one made me feel sicker the next half hour), I've decided to award In-N-Out with the best burger. It's the sauce, man. And the bun. And the burger. With toppings. Geesh, it's just so good. It's like crack. And will probably kill you just as fast. And they have a freakin' secret menu. Dope.

Best Jelly Donut:

Randy's Donuts. Oh my. I waited in line with a headache, looked up at this giant donut, and said, "Randy, you've got balls." And, being a fan of some sufganiot, I got one of the most delicious Jelly donuts I've ever had in my life. Almost like a cream puff of sorts. I don't know if Randy spurts Jelly, but it was that good. Perfect way to start the day.


Runner Up:

Alright. Since Fatburger lost to In-N-Out, I decided to give it a lame 'runner up' award that would really just stigmatize Fatburger with 2nd place for the rest of its existence. It was really good. An awesome burger. It just didn't cut it. It couldn't beat out the legend. It's sauce just wasn't that special. Bummer, man.

Mo Willems - Don't Let The Pigeon Drive The Bus!

Ok. So apparently I'm a predator for writing about childrens books using the tone that I do (thanks, Mom), but I had to write about this great little book. Mo Willems (past writer of Sesame Street) created a great little ditty in 2003 that I've loved since I first read it while I was writing my own childrens book (it turned out horribly). The story throws the reader (presumably a child) into a first-person drama as the pigeon gets angry that you won't let him drive the bus. Hilarity ensues, and the pigeon gradually blows up to the point that he reminds me of my 7th grade choir teacher banging on the piano with tears in his eyes trying to get us to stop making fart sounds during the rests. Alas, brilliance.

E-603 - Torn Up

Ever imaged if Fred Flinstone and Tommy Pickles made music together? Well, I have. And this isn't it. But this is hella cool anyways. I've always enjoyed mash-up mixes. Some have sucked, and most only have a cool song or two. But E-603's (a.k.a. Ethan Ward) album, Torn Up, rivals Girl Talk's Feed The Animals. The transitions are seamless, the beats are perfect, and there are some great samples (I mean, anything that uses Toto is dank). But Vampire Weekend also makes an appearance, along with Ratatat, Modest Mouse, MGMT, Passion Pit, and Outkast (by far the best song ever written about Rosa Parks).

But it's a mash-up album. And, for some reason, this one feels long at times. Be sure to listen to the track, "Hey Shorty". You'll understand what I mean. But the CD is good. It's done well, and It's definitely worth downloading for free. Grab it here.

The Antlers - Hospice

Okay. If I tell you the concept of this awesome, awesome album, you may end up missing the point that, Jesus, this album is fantastic. Definitely one of my top 5 of the year. And it's by a band that, unless you've followed my obsessed-laced Facebook statuses or Twitter updates, you probably have never heard of. The Antlers, headed by Peter Silberman, have released a lovely tragedy entitled Hospice. At times depressing, at times fleeting, at times surreal, at times a weird mix of The Arcade Fire meets Radiohead. But always an aura of completion, beauty, and humanity. My favorite tracks, "Kettering", "Bears", and "Two" have been sent to every friend I've ever talked music with. The vocals are haunting, the journey is necessary, the concept, I'm keeping to myself. Do yourself a favor. Keep an eye out for these guys.

And be sure to hit up their myspace, or last.fm for free downloads. Or follow them on Twitter.

Elaborate...

Cartoons, Baboons, and Lullaboons. It's dedicated to the world of music, sarcasm, blaring racism, childrens literature, Jonathan Kriner obsessions, baseball, and graphic T-s.

But why? Why now? Why a selfish little thing called a blog? And what the fuck's a Lullaboon?