
Being in Philadelphia's Academy of Music, when I first sat down, I had to check myself that it was okay for me to be wearing a ratty corduroy jacket and sandals. The chandelier and cupids on the ceiling seemed to dictate otherwise. But amass the slew of skinny jeans and berets, I was reminded that this wasn't the symphony. Yet as the show began, the crowd treated it like it was - a modern symphony of new music and new arrangements of familiar favorites.
But even cooler than the aura of formality between cheers and jeers was the reality of incredibly mixed fan bases. With My Morning Jacket being a sort of psychedelic folk, M. Ward being a rocky folk, and Bright Eyes an indie/emo folk, Monsters of Folk brought in three huge and intense fan bases. And since each artist played some of their own songs (solo and as collaborations), virtually no one knew every song that was played - making for an awesome feeling of solidarity in not knowing what was coming next.
As for the show itself, Monsters of Folk played for two hours with an ever-growing energy that transitioned expertly from simplicity to piercing peaks. "Slow Down Jo" and "Dear God" were amazing (except for Oberst's part on "Dear God". I'm a little bias, but that guys voice seems to detract from how great Jim James and M. Ward sound together.). And on top of Jim James's haunting falsetto oo's, an ever-present slide guitar, and an infusion of percussive guitar, the group's live sound was original, refined, and consuming.
To feel the three folk-influenced acts separately and together in the same show was absolutely amazing. I felt myself going 'wow' after almost every song. And accompanied by a light show that projected stunning shadows on the curtains, it was all I could do but sit and stare. In fact, the one girl who stood up to sway to one of her beloved Conor Oberst's solo songs was told to "Sit down. Sit the Fuck down!" The only acceptable standing was for the unanimous and instant standing ovations.
Great band. What a cool callaboration. Wish I could have been there
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